French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.   Related Paintings of Pierre-Auguste Renoir :. | The Large Bathers, | Le Moulin de la Galette | Rowers at Chatou | Dance in the City | Seine bei Argenteuil |
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Moritz Daniel Oppenheim
(January 7, 1800, Hanau, Germany - February 26, 1882, Frankfurt am Main) was a German painter who is often regarded as the first Jewish painter of the modern era. His work was informed by his cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert. Oppenheim is considered by the scholar Ismar Schorsch to be in sympathy with the ideals of the Wissenschaft des Judentums movement, because he remained "fair to the present" without denying his past. Oppenheim was born to Orthodox Jewish parents at Hanau, Germany in 1800; he died at Frankfurt am Main in 1882. His niece was the wife of student and fellow painter Benjamin Prins, Rosa Benari. He received his first lessons in painting from Westermayer, in Hanau, and entered the Munich Academy of Arts at the age of seventeen. Later he visited Paris, where Jean-Baptiste Regnault became his teacher, and then went to Rome, where he studied with Bertel Thorwaldsen, Barthold Georg Niebuhr, and Friedrich Overbeck. There he studied the life of the Jewish ghetto and made sketches of the various phases of its domestic and religious life, in preparation for several large canvases which he painted upon his return to Germany. In 1825 he settled at Frankfurt, and shortly after exhibited his painting David Playing Before Saul, to see which a great number of admirers from all parts of Europe visited his studio. In 1832, at the instance of Goethe, Charles Frederick, Grand Duke of Saxe-Weimar-Eisenach conferred upon him the honorary title of professor.
Oscar Bluhm
German Painter, 1867-1912
STRIGEL, Hans II
German painter, Swabian school (active 1450-1480 in Memmingen). Painter. The panels of the Montfort-Werdenberg Altarpiece and a Deposition mural (1477), fragment of a series in the church at Tiefenbach, Allgäu, are documented as his. They show an artist in the tradition of Hans Multscher, using strongly foreshortened perspectives for an emphatic relaying of realities. In the 1470s he attempted to tone down the contrasts, to organize his figures after the manner of the Master of Sterzing: a change of style shown in the panels of the Mickhausener altar (Budapest, Mus. F.A.) and the Saints and Passion scenes in the Oberhaus-Museum